#Madame's rambles

[madamemaximoff06]

The 4 most attractive characters from the “Lords of Chaos” movie:

And you can’t change my mind

[morgan-n-cheese-91]

People I think would be a part of Master Windu's book club:

● Ponds - whether he likes it or not he's there for the soom (space zoom) calls and he gets the interesting parts read aloud to him (he's the biker bf to Mace's booktok girly gf)

● Cody - joined bc he was bored during his brief stint in the 91st, but has since become invested. has his own secondary club amongst the 212th command staff

○ Obi-Wan - reads over Cody's shoulder, inputs his opinions when stealing Cody's soom call snacks

● Fox - his vibes for a book club are immaculate. was offered a spot soon after posting, has the hottest takes

● Bly - joined after reading over Cody and Fox' shoulders while on leave, begged to join, has some of the most indepth takes on the books, also a hopeless romantic

○ Aalya - simular to Obi-Wan, reads over Bly's shoulder, adds thoughts when relevant

● Master Ti - strong willed booktok girly, is the reason they read "Where the Crawdads Sing" and "The Woman in Cabin 10"

● Master Che - joined for the book recommendations, stayed for the gossip

● Madame Nu - founding member

● Kit - has the same book vibes as Mace but more high energy, brings the best snacks for in person meetings

People banned from Mace Windu's Bookclub:

● Yoda - grandmaster crimes + troll + old = banned

● Anakin - this club is Mace's restbute from that lineage's insanity, he barely tolerates Obi-Wan joining over Cody's shoulder

● Depa - Mace does not want to know what his child thought of "A walk to Remember" or "The Girl with the Pearl Earring"

[xbomboi]

yapping about Briar. fellow Briar enjoyers assemble.

okay okay i don’t make it too obvious (or maybe i do, i wouldn’t know) but briar is my personal favorite character. i think about where the stories of all the characters would go and what their arcs would be a lot, but hers in particular is really important to me.

so i wanna talk about it.

first of all, she’s narcoleptic coded, right. we all know that. but her mom on the other hand reads to me, like, an alcoholic mother? and her dad is just willfully ignorant. either way, there’s a huge sense of neglect going on in that family. i mean go figure why briar would be the one doing most of the work raising her brothers. and of course she’s a party girl, because who’s gonna stop her? her parents? see yeah exactly.

so i don’t think it’s unreasonable to say she doesn’t have very strong parental figures in her life, at least not at home. but, and now you have to really hear me out about this one, i think baba yaga could take up a parental role in her life.

i know it isn’t much, but the seeds for her having at least a hint of a connection with baba yaga are there.

in the webisode “Stark Raven Mad”, baba yaga scolds briar for rambling about her party, and then as the commotion picks up she’s still exercising authority over briar in particular.

then there’s thronecoming, wherein, when briar is sulking at the dance, upon noticing the picture on the projector, she asks baba yaga for answers, who provides them.

and then skipping all the way to epic winter, after the girls become a little creeped out by her mannerisms and book it, briar is the one who makes sure to peak back in and give a parting remark.

so i think there’s potential there to be explored. her feeling neglected at home and then finding solace in another adult at school would be neat.

but the fact that it’s baba yaga is important, so just put a pin in that and we’ll circle back to it.

now, i think out of the core four, she was (at least at first) the hardest to actually pin-point what the future of her story could look like. with raven, i think it’s pretty clear her journey is just continuing to combat the prejudices of the world as she fights for change, apple is now pretty much on a path to figuring out her own future as ruler of a kingdom and what that’s going to entail, and maddie is the goofball that’s there to have fun and be supportive along the way.

then there’s briar. and, let me be clear, no, in my mind that girl is not sleeping for 100 years with where things are heading; in the main universe of the story, briar will be free of the sleeping beauty destiny.

but it’s like, if she’s not gonna sleep, what more is there to actually do with her? what direction COULD her life go in? because if she’s no longer fated to sleep 100 years of her life away, then she can’t just party like there’s no tomorrow anymore. she’d need to decide what she actually wants to do with her life.

and i think i have an idea.

i mentioned her narcoleptic coding at the start with intent to bring it up again. see, you might notice that a lot of the fairytale aspects of ever after high can be read as allegories for real-world problems. for example, hunter and ashlynn’s relationship is treated in their world the same way society may look at queer couples or biracial couples. or how raven’s mom being trapped in a mirror is their world equivalent to not paying child support.

with that kind of correlation in mind, i think treating briar’s curse as a condition could open up an interesting opportunity. i think, in their world, curses as a whole could be viewed as a separate branch of medical specialization, with briar spearheading this notion of thought.

we know briar is well-versed in chemythstry already. in the webisode “Briar’s Study Party” she makes note of the fact that she’s been studying forever-after, and she demonstrates enough knowledge in the subject to enthusiastically teach it to her friends, who all end up acing their tests on it as a result.

i think this is something she could potentially make a career out of. i think she could come to the conclusion that she wants to be able to help break curses for people everywhere, and could pursue learning to develop potions and elixirs to do so.

which could happen under baba yaga’s tutelage.

picture this: briar declares her newfound goal, to which baba yaga offers to teach briar all she knows in order to achieve what she’s set her sights on. briar—with an ounce of hesitance—accepts, and baba yaga officially takes her under her wing with the intent of mastering sorcery.

obviously, she wouldn’t lose who she is in this. she’s still gonna be an impulsive, adrenaline junkie who desperately needs a screentime limit on her mirrorphone. but in this process, she’d be rounded out by baba yaga and would in turn mature a bit from the experience. she’d get serious about life, but she wouldn’t let go of who she is at heart.

this could lead to her becoming the resourceful one in the main group. like on adventures, she’d be able to pull out a potion or whip something up (because i’m not going to let raven’s magic make her too o.p. she’s gotta have limitations) as a solution to problems. she could really have a role that proves useful and important to the story.

that’s my ideal pitch for where to take briar’s character.

[fishareglorious]

i do a light chuckle once i remember hofmann and semmelweis are friends but then i remember semmelweis and marcus' suitcase interaction where they talk about her and i am once again inconsolable about this old woman's death

[ziggydabiggy]

a small compilation of my favorite hook voicelines from the kinect disneyland game. you can tell why certain lines are in here

[robby-bobby-tommy]

Honestly, I can't stress enough how important the theme of family is in mdzs. IMO it is the main theme of the book. Of course romance and devotion is important, but there's something so special about the way families are portrayed in mdzs and how important they are. (I watched donghua and read some of manhua btw)

Let's start with sibling relationships:

The whole plot started because of love for a brother and rage for how unjust his death was. The whole Cloud Recesses arc is an amazing set up for Wangxian etc, but it also shows the complicated yet sweet relationship between WWX and JC. How they both care so much about each other, how they tease each other. IMO JC did see WWX as a brother and loved him as such. Every time he scolds Wei Ying, it's always about Wei Ying's safety. Usually it's not "How dare you use demonic cultivation, you're gonna get our clan in danger", it's " If you keep it up, I won't be able to protect you". Even during the Wen invasion, the they're still together, they sacrifice themselves to save another. And don't get me started about Jiang Yanli, she loves her brothers very much. Despite Madam Yu creating a competition between the boys or Jiang Fengmian's lack of action and even enablement of WWX' dangerous and irresponsible behavior, they still love each other. I can ramble about yunmeng trio so much, but in short despite everything they went through, they cared for each other deeply. After Jiang Yanli's death everything changes, because imo the boys fully internalized Madam Yu's last words. WWX bring pain and destruction to Yunmeng. I think I need to stop, or we'll be here all day.

Or, another example: Nie bros. Nie Mingjue had to basically raise A-sang. They do deeply care about each other, and despite everything they'll be here for each other. Yet the desire to protect NHS from sad reality of golden core and qi deviation, their relationship soured a little. But it's obvious even for an outsider like WWX, that NMJ loves his brother. He pressures NHS, because he feels that he's starting to lose it. He wants to prepare his little bro to be a decent leader and to live without him. And NHS literally makes it his life mission to avenge his Dage even if it means having a blood on his hands.

Lan brothers show a good brother relationship. Lan Xichen supports LWJ in everything he does. Even his love for WWX. He gets protective, when he thinks WWX is laughing at LWJ's feelings. Lan Zhan is deeply saddened when his brother is missing and helps him discover the truth about his best friend's death. They're almost perfect siblings. (Plus they're super funny when drunk).

MXTX deserves an award for writing so many different sibling dynamics. And that's not all, she also portrays this different parental relationship so interesting.

Like, the nephews you didn't want, but care so much about, that you don't want them to suffer like their father did (Lan Qiren and this family drama); the kid of your husband's unrequited love, whom he seemingly loves more than your own children (Yunmeng Jiang happy house), JGS and the myriad of the kids he has ect. I love this variety so much.

I just love so much how MDZS has so much themes. Every time I think about MDZS, I find more and more interesting points and moments that change my perception of the characters. Every character is so humain and has their own motivation, that I can't truly hate some of them (apart from Wen Chao, his mistress and JGS, they suck).

TLDR: MXTX is a queen of writing complex human characters.

[sut4tcliff]

Do u think Grelle had to mend the chainsaw tear in Madam Red's jacket? That she held the torn jacket in her bare hands, threaded needle through the crimson fabric. There's still the indent of the mending. The seam will not straighten itself out. The smell of her old perfume does so little to mask the smell of blood. Do you think Grelle regrets it?

[maxwell-grant]

Playing Princess Peach: Showtime got me the Mario brainvurms again so I wanna ramble a bit: As much as I adore and put a lot of stock into Wario and Waluigi's dynamic (and as much as Waluigi's my favorite character), I actually don't think Waluigi should be in the Wario games. Particularly Ware, but that also goes for Land in case that ever comes back from the grave. And it's not because of anything wrong or lacking with Waluigi as a character, quite the opposite: I think a lot of what defines him, what makes him interesting in different ways than Wario, actually makes him a terrible fit for Wario's narrative real state. Not an issue when they're together filling in a necessary dynamic in Mario territory, but it gets trickier when Wario's supposed to be the lead in an actual story.

In regards to Land, the central appeal of Wario Land is in the fact that you can play as Wario. I'd said as much before that, generally speaking, where as Mario is altered to fit his games, Wario's games are built to fit him. As much as WL did to flesh out Wario as a character, the core concept for Wario Land 1, and every subsequent game, comes back to the idea that you are playing a bigger, nastier Mario, who can't run as fast or jump as high, but is stronger and full of stranger surprises, so he engages with different kinds of obstacle courses and yyou have to figure out what he can and can't do to solve them. Every alteration made to the Wario Land series over the years, not just in relation to the Super Mario Land platformers it spun out of, was built around turning Wario's existing traits into gameplay mechanics.

He is a bully and a brute and thus you shoulder bash your way through problems, his propensity for comedic slapstick turned into full blown immortality and the source of his power-ups, he is far more interested in sniffing for gold than actually saving anyone so his adventures are less linear, your endgoal is to get the biggest treasures possible, his thieving bastard explorer nature eventually allowed for a timed Indiana Jones boulder escape at every level, Shake It lets you literally shake down enemies for cash, etc. The one time they took the opposite route and really altered Wario to fit a pre-ordained gimmick was in Master of Disguise, and soundtrack aside there's some good reasons why that one's so unpopular it's not even considered a Wario Land game.

All of these are traits that are built to fit Wario, and mainly Wario, and you could argue that these by extension apply to Waluigi because of his traits that overlap with Wario's, and for sure the spin-offs demonstrate that Waluigi does tag along on Wario's treasure hunts sometimes, but if we concede this and add Waluigi as a Player 2, then: A: What is so great and unique about Wario, if other characters can also do all the absurd things he does? And B: What is so great and weird about Waluigi, if all he's doing is just the stuff Wario already does?

The Mario platformers don't really have this issue with Luigi not just because Luigi as the Player 2 is grandfathered in, but because mechanically speaking Luigi isn't very different from Mario, and because the gameplay mechanics for Mario platformers are nowhere near as specialized as Wario's is. Everybody runs and jumps and collects power-ups and does the same things Mario does, that's why the Toads and the princesses can jump in on it just fine. Wario sharing the glory of being Wario is just not what Wario does, and it's Waluigi's thing even less. With everyman all-ages Mario, everyone's invited to join in the fun, but when the whole point is you reveling in "you get to play as Wario!", WHERE BEING BAD IS GOOD AND GREED IS GOOD HEHEHEHEHEH, you really lose a lot of the appeal turning it into "you get to play as Wario, and another guy (or even more) who can also do the things Wario does, turns out Wario's willing to share I guess". Even working in a different set of paths and solutions per level so Wario and Waluigi could solve problems differently would just be splitting levels by half of the work and half of the fun.

For comparison's sake, Pizza Tower has a second playable character in the form of The Noise, a rival who is opposite to Peppino personality-wise. Despite having more or less the same proportions (and in prior builds playing identically to Peppino), in order to accomodate his personality that is also his main selling point, he plays in a different manner through levels that weren't designed around him (not different enough that it excludes co-op though), and so he actually breaks the game, and that is in fact worked into everything he does: Pretty much the main running gag through The Noise Update is that he is brazenly cheating and easily clearing through the things Peppino worked so hard to beat "fairly", and that he is a piece of shit with no emotional stakes in what he's doing, turning every hardship or battle into a joke.

Pizza Tower is just as much built around Peppino's character as Wario Land is (which is part of why the game became faster and more stressful, and thus played increasingly less and less like Wario Land over every subsequent build up until release), and it was only ever going to accomodate the Noise's personality by either designing new levels (and thus a new game) around him, or going all the way on him breaking the existing ones and occupying an opposite role to Peppino's, which fits him. Again, you could argue this dirty cheater angle fits Waluigi. The problem is, again, redundancy, and it not fitting Wario Land. Gameplay-wise, Wario is already breaking and even cheating through levels to clear them, he is already flipping the middle finger to traditional Mario-style platforming the way The Noise is doing to Peppino's playstyle. And story-wise, Wario doesn't let himself be outdone, he is not getting upstaged from his own adventures. Peppino doesn't WANT to be in his own adventures, that's why the game plays him for pathos and The Noise gets played for pure satire. They get to do completely different things in a way I'm not sure you could do with Wario and Waluigi without significantly overhauling the way Wario Land works, and at that point, why bother.

That being said, I definitely do want there to be a way Wario and Waluigi could star in a platformer together, it would be a dream for me. But I don't think that's going to work for Wario Land, and not doing Wario Land runs the risk of doing Master of Disguise again so, it'd take a lot of work. I want to say there is at least a possibility of making it work, which is definitely not an argument I'd make for Waluigi joining the WarioWare cast.

The thing about how WarioWare's cast works, and how it manages to keep Wario recognizably Wario even in a drastically different role than the one he occupies in Mario spin-offs and Wario Land alike, is a very simple but effective dynamic: Wario is the boss, and everyone else is your friend/co-worker. Wario is the ringmaster, and the circus freaks need your help to keep the show afloat. Wario is Michael Scott/J Jonah Jameson, and you're in the Dunder Mifflin/Daily Bugle trenches with everyone else.

All of the WarioWare characters are lovable weirdos, it comes with the question of "what kind of person would not just be friends with, but willingly work for Wario?". They are weird, they are dorks, they are (mostly) nice, they (mostly) get along, but above all, they are accomodating. Of their weirdness, of your weirdness, even of their boss' weirdness. Their goal is to guide you through the challenges and fun and encourage you to succeed. They do all the hard work in making these games fun to play. They are directly, proportionately opposite to how much of an dynamic jerk Wario is, and that's why Wario gets to keep on doing Wario things.

He gets to cause problems and lead the gang into trouble, he gets be mean, he gets to hijack proceedings and directly insult and mess with the player, he gets to be the villain, he gets to be the butt of the joke, he gets to crash and fail. The Ware crew gets to be people you come to know and relate to and love, while he gets to be the GOTTA WIIIIN guy. It's a fine balance and a very good deal on their end.

It also has no room whatsoever for Waluigi, anti-social party crasher conniving drama queen extraordinaire, in anything other than a cameo or a one-off antagonistic competition with them. He isn't going to take Wario, or anyone's place, and his dynamic with Wario in the spin-offs just doesn't translate to Wario's role in WarioWare. And he belongs even less in the WarioWare crew (especially with characters like Jimmy T and Crygor, who have significant overlapping traits with Waluigi already), he is just not made for playing nice with others like that. It's not that he can't, his player interactions can be remarkably non-antagonistic and chill even, but it's not his thing.

He is Waluigi, as they reiterate in every bio, he is dastardly and mean and also a tryhard loser who "thinks" he's Luigi's rival more so than he actually is, and who doesn't seem to get along with anyone other than Wario, in fact he barely plays nice with Wario a lot of the time, they're partners in crime first and foremost and are depicting bickering over spoils when they work together. He'd just break the balance that makes this cast dynamic work so well without offering anything in return, and would be worse off for it. If anything Waluigi should be the last person to work for WarioWare, it has nothing to do with what he's about and the dude knows firsthand how little Wario intends to pay anyone ever. You could get stuff out of playing him as a rival trying to muscle in their gigs, or beat Jimmy T on the dance floor, and even that's stretching a bit.

I think the biggest problem comes down to the fact that the main thing with Waluigi, much like Wario, IS his outsized personality and the role it offers him, and with how Wario's games are precision-built around him and him alone as the center, putting Waluigi in those is dooming him to get sucked into Wario's orbit in roles that just don't work for him and dillute the chief appeal of putting Waluigi in stuff. Even if he's already secondary to Wario in the spin-offs, in there they fill in a niche together, two halves of one idiot, Camelot's favorite boys and all that, that you can't carry over when Wario has bigger things to do than just play along and be a nuisance to Mario.

I was very happy with Princess Peach: Showtime in part because of how committed it was to the idea of putting Peach and Peach alone in the spotlight, with NO Mario elements whatsoever tagging along for the ride. There is not a single trace of Mario or Bowser anywhere, the Toads leave at the opening cutscene and don't come back until the post-credits when their only role is to give her crown back. The game is just Peach going on adventures, righting wrongs and trying new personas and putting on a show with the people she's saving.

It's short, sweet, it's kind of a baby game and it has to be for the target audience, and it doesn't seem to be super popular in general but I'm glad it sold well, I'd like for Nintendo to make more games like it. It got me to like Peach more than I ever have before, and it got me feeling very good about the fact that this exists at all. Seems like there really has been a creative renaissance for Mario over the past years. Not that I ever expect it to happen anymore, but I always dreamed of Waluigi getting to have something like this, although I'll say that Peach's was a very long time coming (especially given the failure of Super Princess Peach) and I'm glad this premise was made with her. I never thought it'd happen and that makes the former dream seem, y'know, a little less impossible. Maybe.

Semi-unrelated but I am also extremely glad that Madame Grape exists, definitely a character I'd like to see return to occupy a position akin to King Boo or just go-karting with the others. And by no means was this intentional, but I definitely get a kick out of the fact that the villain in Showtime is an overlooked purple-clad drama queen who creates and leads a group literally called "Sour Grapes", who wants to claim her role in a world of happy shining people who don't APPRECIATE her work unless she makes them, who wants to plaster her face and name and colors everywhere, and who is incredibly invested in making Peach her nemesis and foil, even though this story was supposed to be about Peach taking a break for a change and Grape is very far from being the worst thing Peach has to deal with on a regular basis. Just reminded me of another guy who tried to hypnotize "the rhythmless masses" with sweet dance moves once.

[relaxxattack]

Hi i want to thank you for the QPR vs Moirail venn diagram. Its a rly excellent way of showing the difference. My gripe is about human romance, and how people will either 1- conflate it in a 1:1 ratio with Matesprit, or 2- claim it is “all the quadrants”. I personally feel both are false equivalency, and that the human romance is similar to both pale and red rom* and SO i was wondering if you agreed w that assessment, or if not, if you have the time to explain your thoughts on human traditional romance vs the quadrants (perhaps w another nifty graph)?

* which is why Rose’s destructive tendencies during sburb & her descent into addiction on the meteor were not addressed by kanaya, who feared palezoning herself like she did with vriska

OH MY GOD! YES!!!! why am i getting such great asks today?!

no, you're EXACTLY right. people are constantly conflating matespritship in those two ways; "all of the quadrants" being especially irritating (since Some humans occasionally argue, Occasionally in a kinky way, and i guess that means that they totally have all of kismesissitude covered?? :/).

matespritship is its very own thing. of the two interpretations above, i feel the idea that it's 1:1 to human romance is the closest to true. i mean, that's what they literally say in the comic, for gog's sake.

humans do not truly incorporate moirallegiance, kismesissitude, or auspisticism into their lives in any meaningful way. while it's possible for humans to sometimes have romances that might seem more like one of those than matespritship, they're considered abnormal or toxic-- and they often ARE, because humans do not have the same sort of biological drives or social understanding of these things that trolls do. humans do not understand the true needs and ramifications, or even the ROMANCE of moirallegiance. humans would be hard pressed to understand a kismesissitude in a 'healthy' way. i don't even need to mention how auspisticism flies over people's heads.

so, yes, humans only have the one quadrant. (and karkat vantas, i am sorry to say, is not going to "human date" anyone as the "solution to his quadrant problems". this would literally be the same as him trying to stick only to matespritship, and we all know exactly how that turned out.)

however! matespritship is not an exact 1:1 on human romance either. the direct quote from the comic is;

"[It's] the closest parallel to the human concept of romance trolls have." [x]

this is not really expanded on much in the text, honestly-- the intricacies of the social and biological traits of matespritship aren't shown enough for us to draw clear distinctions between them and human romance.

however, i think you're right that rose and kanaya are the best example we have of that-- despite them both aiming for matespritship, they have cultural misunderstanding quite often from some of rose's flirting, or even just her needs, crossing wires into a pale threshold that kanaya is weary of.

it's entirely possible that the differences between troll and human "hearts" might have made it difficult for kanaya to really connect with rose's problems and discuss them with her.

which might explain why when things go "better" for them in the retcon, they're portrayed reading a book on troll romance together:

it could be implied here that searching for a more in-depth understanding of quadrants actually helped rose with her ability to connect to kanaya-- and maybe, reading into it a little too hard here, this also could have been an opportunity for kanaya to work through her vriska-based hangups with the pale quadrant. that's entirely speculation on my part, though.

at the end of the day, we don't really KNOW enough about the details of quadrants for me to paint a clear picture of how matespritship differs from human romance. i mean, i could try, but it would certainly be more of a headcanon post than an analysis one!

[lbhslefttiddie]

talking to myself about the blorbos (as one does) and tried to say "scream and cry" and instead said "cream and scry" and im never gonna recover from that one

[madamemaximoff06]

"Jack Goes Home" Ending Discussion/Analyse

TW for SA mentioned, Death, Suicide, Self-Harm, Miscarriage, Abuse also Spoilers for "Jack Goes Home" (I know that a lot of people in the Rory Culkin fandom have watched Jack Goes Home, but just in case someone hasn't watched it and doesn't want to be spoiled, don't read this post or maybe do if you don't care)

I've been rewatching Jack Goes Home and i think I now understand the ending, Kind of. I don't know if it's a theory if it's actually what the ending is supposed to be, i don't know because people analyze the ending differently.

So In the end of the movie when you find out that his mom and dad both died and he was just Hallucinating all of it when him and Shanda go back to the house and he opens the door and you hear the violin music playing (It could be the same music that Jack asked his mom to play for his dad at his funeral) and Jack says that he can't keep her (Her being his Mom) waiting and then he walks into the house and the doors slam behind him and i think that's means that Jack kills himself in the end of the movie, of course it's not shown but it is hinted at like when he is about to "kill" his mom on the side of the road and Shanda stops him and he says "He had to go (He either being maybe his Dad or his Twin, i'm not to sure) So does she, so do i", it sounds like in a way Jack doesn't have a say in whether or not he will die, he says it like he has to die along with his family, not like in the far future, it seems like it wold be sooner than later.

Also it's shown that as the movie goes on He slowly starts losing his mind after finding all the stuff in the attic about his childhood trauma of him being SA'd resurfacing, His Fiancee having a miscarriage and losing their unborn son and also figuring out that his mom was physically abusing his Dad and that he had a twin brother named Andy that his Dad killed thinking it was Jack because Jack wouldn't stop crying and his parents couldn't handle it so they accidentally killed the son they actually wanted (God that scene when his mom is yelling at him that it should have been Jack under the water instead of Andy, that it was suppose to be Jack, my heart absolutely broke) (I also think that all of this happens over the span of like a few weeks) so all this built up of trauma, something like this was bound to happen.

Another way that it's hinted at that he dies in the end is when he goes to the bar and the bartender reads his palm and he says that Jack is Already Dead, i thought that there was gonna be a big plot twist that he was dead the whole time and i was really wrong, but maybe instead of it being him physically dead, he could be mentally dead too that it could later lead to him being physically dead along with the scene with him slitting his throat in the bathroom before it going back to normal, that could be like a intrusive thought that he was having that was later acted upon and in the end it could have all happened in the attic because that is where everything resurfaced, him finding the locked box with the papers about the trial and his SA along with the tape with his brother on it, and not to mention when Jack is sleeping walking, He says that he’s in the attic, At first it was meaning that him finding all that stuff in the attic but it could be a foreshadowing moment for Jack’s fate, it wouldn't be totally out there to have it take place in the attic.

But of course this is all a Theory, All of this could just be me over analyzing it like i do with everything so i could totally be wrong, and a lot of people have interrupted the ending in different ways but this is just what i think happens and what i think makes the most sense.

The only thing i don't understand was what was the point behind Duncan's Character, Jack's neighbor that he was also hallucinating, was he supposed to represent something? If anyone knows, could someone explain it to me?

[melit0n]

Madame Giry is the only thing holding that Opera House together I swear

[lem0nn-juice]

Yana toboso really just woke up one day and said "I'm going to turn Jack the ripper into doomed Yuri" and honestly? Respect

[myblurryreality]

Madam Yu doesn't like or love Jiang Fengmain in my opinion. I think her feelings were similar to Jiang Wanyin's feelings toward Wei Wuxian when they were younger. He doesn't like Wei Wuxian and yet he despises the thought that Wei Wuxian might leave or not hold him in the center of his world. I think it's more of an ownership thing. You're mine and even if I don't like you, no one else gets to have you. But that's just my opinion.

[vertin-is-the-frog-guys]

is this a safe place to say madam z is the hottest npc or no

[ihaveforgortoomany]

You know what I wanna know, the story behind Vertin's outfit - sure shes the TK so ofc shes gonna have a different outfit to usual Foundation staff but her colours more greatly resemble the Manus than the Foundation.

Like why the top hat? Maybe the ribbon was a gift from one of the many people that got reversed? Why is the outfit so different (what if she had an outfit much closer to Foundation colours, when she started out at 12, then maybe Madam Z went and helped her find a better outfit?)

Its unlikely we may get answers for the outfit so I open the floor to any Headcanon to the origin of Vertin's outfit.